Vinça, ”the royal city of Vinça“, was a royal city from 1172 to 1356, then again from 1586 until the end  of the French Revolution. In1245, James the first the Conqueror, Count of Barcelona and King of Aragon, granted to the inhabitants of Vinça exemption from the seigniorial taxes (exorquia, cugucia, intestia) on the condition that the outer walls were built. In order to cover this expense the members of the Labour Relations Boards of that time were permitted to levy a tithe on crops, produce harvested, wool, meat, grapes, oil and other good.

In 1361 Peter the Ceremonious authorised the collection of tolls (“barras”) at the gates of the city to finance the repair of the walls. These outer walls, 500 meters long, enclosed the core that remains of the old village.

At that time four gates led to the surrounding villages:

• to the south, the gate of Joch. It no longer exists.
• to the west, the gate of the “Puig“ which gave onto the modern road to Prades, of which part of the arch only remains.
• to the north, the well preserved gate of “Barri del Prat“ opened up to the road to Perpignan.
• to the east, the gate of “Marcevol”which is still intact, led to the route to Marcevol.

These two latter gates have statues of the Virgin, hence the name given to our village “Vinça the Pious“.

Today 80 meters of the outer wall testify to what these constructions were like; they mostly date back to the second half of the XIVth century.

On 7th July 1844, the Municipality, under the mandate of Dominique Verges bought a parcel of land, known as the “Amoreres” for 3000 francs in order to create a fairground which was later enlarged and planted with plane trees in 1847.

The cattle fair:

For the festival of Saint Andrew, at the end of November every year, the fairground was very lively and always attracted great crowds. Horses, cattle and sheep were traded and the main street was taken over by merchants who did a roaring trade.

The development of the fairground:

Very soon shopkeepers, craftsmen and a blacksmith set up their trades around the fairground and in 1857 the primary school was built .That same year the plane trees were planted and an income of 850 Francs from the sale of wood paid for the installation of the benches, a beautiful fountain and a luxuriant lawn; electricity lightning was installed in the side aisles and a public wash house topped by a solid roof was built; it no longer exists.

Vinça “en fête”:

In the 1950’s throughout the weekend of the church patron saints feast day, a fun fair with roundabouts came to the fairground; this gave great pleasure to all the children who came attired in their best clothes .Since 2012, a “cattle breeders” fair has been a feature on the site every May. This maintains the tradition of the great fairs of the past, a return to its original purpose.

In 1600 the inhabitants of Saorla(Sahorle) expressed the need for a church closer to them than the parochial one in Vinça. In order to finance such a project the Viscount of Joch, master of the hamlet gave them permission to levy various taxes in their community. The construction of the church began a few years later as is evident from the date of 1628 on its Conflent marble font. In 1629 a mass was celebrated by the curate of Joch in spite of the prerogative which the priests in Vinça had to administer the sacraments to the inhabitants of Saorla. At the end of 1646 the case had not still been resolved by the metropolitan Court of Tarragona and the two sides, weary of the expenses and costs  involved, agreed to settle their differences out of court, thanks to the Viscountess of Joch. Earlier, Gregory Parcero,Bishop of Elne had granted permission to celebrate the mass in Saorla.

The church is dedicated to Saint Madeleine, probably to perpetuate the devotions in her memory as her chapel in the hermitage of Nantilla had been abandoned. Inside Saint Madeleine is shown with her luxuriant hair, stretched out in contemplation in her grotto.There are also the remains of an altar piece from 1710, a statue of Saint Galdric and two small statues of Saints Peter and Paul.

Classified as an historical monument on the 27^th of January 1987.

A church is first mentioned in Vinça in1043.Thanks to a legacy given in 1686 by a rich merchant from Perpignan, Don Carlos Perpinyà i Solera who was originally from Vinça, a more substantial church was built between 1734 and 1769. The walls are constructed of boulders and stones and the wide neo classic entrance is made of local pink marble, topped by full-length statues of the two saints who gave their names to the church. The doors are richly decorated with ornamental fittings in a spiral motif. The bolt is covered in snake-like scales and the head ends in the shape of a mythical animal. These remarkably rust-resistant attachments are made of iron from the mountains of Canigó and are part of what remains of an earlier church on the site. Inside, the church boasts several outstanding examples of Baroque altarpieces, of which the altarpiece in the right hand chapel is a masterpiece, made in 1697 by the sculptor Jean-Jacques Melair, it is unique in north Catalonia for its depiction of the Transfiguration. Other pre-Baroque, neo-Gothic and neo-classical altarpieces adorn the side chapels. An exceptional  finely decorated pulpit of the late sixteenth century together with seventeenth and eighteenth century paintings complete this remarkable collection.

The semi circular Republican pediment above the entrance was added in 1905 and was restored in 2012.

The Carmelite convent in Vinça was originally, in the late sixteenth century, a branch of the Capuchin community in Prades, at a time when Franciscan monks were a strong presence in Roussillon. The convent was a modest one-story building with a chapel dedicated to the Assumption of the Virgin. The Capuchins were well integrated in the community and supported the inhabitants during the period when plagues were common and Spanish and French troops passed through the region, while continuing their preaching and receiving confessions. In 1793 the capuchins were expelled from their convent and it was sold as a national property. In 1841 the Molins family purchased it and returned it to its vocation. On November 11^th 1861 with the help of the then bishop of Perpignan, Montsignor Gerbet, mother Mathilde de L’Enfant Jesus came from Nice to establish a convent of Carmelites who obeyed the reforms of Saint Theresa d’Avila. They, in turn, were expelled in 1901 but returned in 1920 to re-establish the presence of God by their life of prayer ,in the village. Their mission and vocation continues today.

In the early fourteenth century, Jean Quinta, the priest of the village, bequeathed a property to the people of Vinça to have a new “poorhouse” built, the existing one being too small to meet the needs of the community. The “poor house“ accommodated pilgrims as well as people who were destitute; it did not have a medical function. However, during the seventeenth and eighteenth centuries the institution began to provide care for the people who were ill in an ambience which respected the Christian values of charity and solidarity. Throughout the nineteenth century and into the first half of the twentieth century it continued to maintain its responsibility and care for the infirm people. When the iron mines of “La Pinosa” in Velmanya were active, injured minors were taken care of at the “poor house”. It only had 11 beds and conditions were very precarious. In 1905 the law which separated the Church and the State dealt a fatal blow to the establishment. Its doors were closed for good in 1955; it became a Youth Hostel which operated until the end of the 1970’s.

The chapel adjoining the poorhouse is dedicated to Saint Sebastian, the patron saint of plague victims; it was built in 1459. A novena takes place every year from January 20^th. In the choir of the chapel there is an altarpiece and many panels on the side walls testify to the generosity of those who made donations to the “poorhouse”. Above the entrance door, there is a niche which hosts a statue of the Virgin, it was installed in 1529, at the end of the Great Plague.

To drink, cook, do the housework, wash oneself, wash the linen, refresh the cattle, water is indispensable to life. Throughout history, this vital prerequisite has been essential in determining the site of many settlements. Vinça is no exception, situated as it is, close to the river Têt and crossed by many streams, among them the “Real” and the “Baldosa”;  Vinça is blessed with plentiful fresh water all the year round. 

Some of the fountains which still embellish the village have been recorded over many centuries, for example Font d’en Preses(1349) and font Nova (1420).Others have been modified, as was the one in rue du Barris in1810, while others have been rebuilt, such as the one at the gate of “Bari del Prat” The growing awareness of public hygiene since the middle of the nineteenth century led to the erection of public wash houses, especially after the legislative Assembly voted on 3^rd February 1851 to grant special funds to have such amenities built. Up until then, the undifferentiated use of public water supply had obstructed what then became recognised as the need to combat such epidemics as cholera, typhoid fever small pox which had been all too frequent. A programme of constructing public wash houses was undertaken. 

These public wash houses and fountains were often made of local materials. The four remaining wash houses and the fifteen fountains, all still in use, are a good example of this : employing shingle or river pebbles, flag stone of schist, cairo, Conflent pink marble, sculpted stone, and in more recent times, sandstone cement and reinforced concrete.

There are four red marble crosses in Vinça. Some of them retain the date of when they were constructed and the name of the patron who had them erected.

A former damaged cross, which is no longer in the village, was sculpted in the early fifteenth century and is inscribed in Catalan “Mossen Guille(m) Riba, alias Maco, had me built”.

There are as many as 27 places of popular devotion, meditation and contemplation known as oratories or shrines, scattered throughout the village. They were installed to commemorate Christian saints and they contain relevant statues, some of which are quite naive while others are very refined.

The oldest ones date as far back as the seventeenth and eighteenth century  As was the case for the crosses their location was carefully chosen to show the way to a church, to a site of pilgrimage or a village, often at a crossroads or at a pass. In the more remote locations these oratories invited the passers-by to commune with the saint and to pray in the open air without having to go to a church. Building these shrines and oratories was often a way of giving thanks to particular saints and their attributes. Some are particularly honoured in Vinça : for example the Virgin, Saint Sebastian for protection against the epidemics, Saint Galdric, the patron saint of farmers and agricultural workers for a plentiful supply of water, Saint Anthony of Padoua for the recovery of health and  thanks for wishes granted.